Another
Borrowed Love Poem
after John Yau for E.H.
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1. What can I do, I didn't think you'd really call What can I do, lousy as I am at happiness What can I do, now that all my watches have been broken I will keep time by your teeth as if you were Stonehenge something accurate in another language I didn't think you'd really call there is no time left to stitch my costume no time left to think up a future for my fears to dismantle lousy as I am at happiness 2. What can I do, all the years that I hid a stowaway in my own body Lousy as I am at happiness What can I do, now that I've seen the late afternoon light pink and yellow on your face now that I know the word "enough" now that your name is inside me 3. What can I do, if your plane begins to smoke and the color of disaster is in season Now that this joy has beset me my hips are like two black stones waiting in white-water rapids Now that you're coming in your little boat What can I do, if one of us never again enters the concourse and the other is left to walk among machines 4. What can I do, lousy as I am at the present and the past that wants to infiltrate each moment What can I do, now that my coins have turned their faces to the ground only to whisper the future in a voice too low for me to hear What can I do, now that this paint is wet now that this mirror is empty 5. What can I do, now that the rust of grace draws its own face over my features I never stood in the lifeboat of my own body I never wore myself like a loose garment allowing itself to gather and unravel one breath at a time What can I do, now that we have collided in an underground tunnel photons of light calling themselves into matter 6. What can I do, I've spent half my life in love with some hologram or other What can I do, now that I have set fire to all the bridges in my body now that I want to be like the bridges and turn myself into a torchlight putting itself out in the water 7. What can I do, every person on the subway has also been specially chosen doing the best they can in this moment hurtling through the dark passage now that I know there's a woman who's 100 and can't cook how can I trace the line of your jaw without feeling her slack skin in my hands 8. Now that my life has been painted in fugitive colors and the moon has spilled its yellow in the bowl of the sky Now that I understand bullfights how the bull and the man are shy together Now that my skin is a verb everywhere your hands have been Now that there are no more scarves for me to pull from my mouth one by one What can I do, I who meant to spend my life in advance and was lousy at happiness I am amazed to realize somehow it has gotten too late already to pretend we are in a dark cinema |
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Shannon Holman, New York, 2000 |
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